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Father Creeper
It's a notable shift, but the only thing one should read into Spoek Mathambo's jump from the funky and chic label BBE to the monolithic indie Sub Pop, is that the innovative African producer's music is highly desirable to all sorts of edgy tastemakers. Father Creeper sounds like an artist-driven, sophmore effort with little or no label interference. Spoek's own dark brand of African wonky pop incorporates dubstep, post-kwaito sounds, politically driven horror-hop, and even the rock-rap promise of Ice-T's Body Count delivered on the bang-your-head monster "Let Them Talk," little of this being the "hip" kind of fluff a jazzy marketing department would desire. It's the Last Poets-sized sense of...
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