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Catch Tomorrow
From the earliest days of bluegrass music, the style has been largely defined by the sound of the male voice -- the high, keening tenor of Bill Monroe, the rougher and richer sound of Ralph Stanley, the silky crooning of Lester Flatt. But women have also been involved since those days (remember that accordion player Monroe had in his band early on?) and in recent years they have begun coming to the forefront, putting a different spin on the celebrated "high lonesome" sound that has always typified the genre. No one has done more to bring that development about than Dale Ann Bradley, whose third album nicely encapsulates the blend of respectful traditionalism and forward-looking modernism tha...
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